Andantino in E-flat major

An operatic line at the keyboard

This Andantino reworks material from Gluck’s aria Non vi turbate, no in Alceste. Thinking of a singer helps make sense of the keyboard writing: the melody often sits at the top of chords, while the bass gives it a measured foundation. Short slurs and changes in the figuration provide variety without turning the piece into a display of speed.

At the keyboard

Play the upper notes of the right-hand chords alone and sing the resulting line. Restore the other notes quietly enough that the melody remains recognisable. Then listen to the bass across its sustained tones and moving steps. At the shorter slurs, aim for a change of inflection within the longer phrase, rather than a fresh start at every group.

Music in this edition

1. Andantino in E-flat major