Piano Sonata in C major

Let the Andante sing

The opening Allegro of K. 279 moves between short gestures and running notes; the Andante gives the melody more space above its accompaniment. Alexandre Dossin recommends the slow movements of K. 279 and K. 280 as opportunities to develop a singing touch. That is a useful way into this sonata: its contrast of textures matters as much as the speed of the outer movements.

At the keyboard

Practise one opening phrase with particular attention to its ending. Can the final notes relax without losing their place in the pulse? In the Andante, play the upper line alone, then restore the accompaniment without changing the shape you have found. Let the last Allegro regain its energy through clear rhythm rather than heavier accents.

Music in this edition

1. Piano Sonata in C major