K. Anh.H 10,02

Canon in G for 12 Voices in 3, “V’amo di core teneramente” (doubtful), K. Anh.H 10,02

di Wolfgang Amadeus Mozart

Mozart from family portrait, c. 1780-81
Mozart from the family portrait, c. 1780–81 (attr. della Croce)

The canon “V’amo di core teneramente” (K. Anh.H 10,02) is a short, Italian-text vocal piece in G major, usually dated to Vienna in 1782, but transmitted without secure proof of Mozart’s authorship. Scored for twelve voices “in 3” (three four-part groups), it belongs to the convivial canon tradition that surrounded Mozart’s Viennese circle.

Background and Context

This Canon in G is commonly placed in Vienna in 1782, when Mozart (aged 26) was newly established as a freelance composer and pianist and was writing in a variety of private, sociable genres alongside major public works. Yet the piece’s attribution is uncertain: it survives only in later copies, and modern catalogues list it as doubtful, so it cannot be tied confidently to a specific performance, recipient, or occasion.[1]

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Its scoring—twelve voices arranged “in 3,” i.e., three four-part choirs—suggests music designed for amateur festivity or a well-resourced gathering rather than church or theatre. Sources that circulate the work in modern editions and online typically describe it as unaccompanied and for “12 voices (in 3 choirs),” reflecting the layout implied by the designation.[2]

Musical Character

On the page, the conceit is primarily architectural: a compact canon built to be sung by three parallel SATB groups, producing a deliberately dense, communal sonority rather than soloistic display. The text—“V’amo di core teneramente” (“I love you from the heart, tenderly”)—sets an affectionate, lightly theatrical tone typical of Italianate social music in Mozart’s Vienna.[2]

Because the work’s transmission is insecure, it is best heard less as a fixed biographical document than as a small specimen of the canon craft Mozart cultivated around these years: concise, practical counterpoint intended to be “read” and enjoyed in the act of performance, with the interest arising from strict imitation and the bloom of harmony created when the entries overlap.[1]

[1] Wikipedia: Köchel catalogue entry listing K. Anh.H 10,02 as “Canon in G for 12 voices in 3, ‘V’amo di core teneramente’ (doubtful)” with date/place (Vienna, 1782).

[2] IMSLP work page: “V’amo di core teneramente,” giving key (G major) and instrumentation as 12 voices (in 3 choirs), with score links and basic catalogue identifiers.